Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 114
No fewer than two older meanings , for example , enrich the second nothing in Falstaff's remark about Pistol : " Nay , an ' a do ... In its second meaning , Falstaff's nothing has the same force as naughtiness in its original sense .
No fewer than two older meanings , for example , enrich the second nothing in Falstaff's remark about Pistol : " Nay , an ' a do ... In its second meaning , Falstaff's nothing has the same force as naughtiness in its original sense .
Seite 169
Not only does this silence have a meaning , on its meaning depends the king's spiritual fate and Hamlet's plan of revenge . Yet this meaning can be guessed neither by the audience , who overhear the soliloquy , nor by Hamlet , who reads ...
Not only does this silence have a meaning , on its meaning depends the king's spiritual fate and Hamlet's plan of revenge . Yet this meaning can be guessed neither by the audience , who overhear the soliloquy , nor by Hamlet , who reads ...
Seite 307
For his part , Rabkin has recently revised his critical attitude toward “ meaning " ; he has , however , done so without sacrificing his commitment to humanistic ends which Jameson would consider ideologically exclusive as the following ...
For his part , Rabkin has recently revised his critical attitude toward “ meaning " ; he has , however , done so without sacrificing his commitment to humanistic ends which Jameson would consider ideologically exclusive as the following ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young
Bibliografische Informationen
| Titel | Shakespearean Criticism, Band 78 Literature criticism online Shakespearean Criticism |
| Herausgeber | Michael LaBlanc |
| Verlag | Gale, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787670081, 9780787670085 |
| Länge | 432 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |