Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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depiction of all the “ real ” women of the play as shrews defuses the sexual power the females hold over the males by restricting their energy primarily to the aggression of language . In terms of the description of the Collegiates with ...
depiction of all the “ real ” women of the play as shrews defuses the sexual power the females hold over the males by restricting their energy primarily to the aggression of language . In terms of the description of the Collegiates with ...
Seite 342
The ongoing popularity of abuse pamphlets about female transvestism - particularly the Hic Mulier and Haec - Vir pamphlets — suggests that anxieties about male autonomy continue to be closely associated with ...
The ongoing popularity of abuse pamphlets about female transvestism - particularly the Hic Mulier and Haec - Vir pamphlets — suggests that anxieties about male autonomy continue to be closely associated with ...
Seite 343
This radical disjunction between the lack of women in Athens and the Athenian preoccupation with women's threat to male authority suggests that these misogynistic imprecations tell us less about what women were like in Athens ( and ...
This radical disjunction between the lack of women in Athens and the Athenian preoccupation with women's threat to male authority suggests that these misogynistic imprecations tell us less about what women were like in Athens ( and ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young