Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 23
Constance's proud lamentations , then , hardly have the same effect of raising political issues to moral ones that Queen Elizabeth's did in Richard III . Rather , they look forward to Richard II's melodramatic self - pity ( “ You may my ...
Constance's proud lamentations , then , hardly have the same effect of raising political issues to moral ones that Queen Elizabeth's did in Richard III . Rather , they look forward to Richard II's melodramatic self - pity ( “ You may my ...
Seite 170
Harmonious charmingly " but , as these terms indicate , its effect is derived from modes of expression other than the ... to understand the dominance of visual and musical effects in relation to the paucity of the poetic and rhetorical ...
Harmonious charmingly " but , as these terms indicate , its effect is derived from modes of expression other than the ... to understand the dominance of visual and musical effects in relation to the paucity of the poetic and rhetorical ...
Seite 184
Although they have names , these characters are as unknown to us as the anonymous Gentleman in Lear , and likewise seem to exist only to give this one report . wife with husband , mother with daughter , and its dramatic effect might be ...
Although they have names , these characters are as unknown to us as the anonymous Gentleman in Lear , and likewise seem to exist only to give this one report . wife with husband , mother with daughter , and its dramatic effect might be ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young