Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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A multiplicity of viewpoints documenting the critical reaction of scholars and commentators from the seventeenth century to the present day derives from hundreds of periodicals and books excerpted for the series .
A multiplicity of viewpoints documenting the critical reaction of scholars and commentators from the seventeenth century to the present day derives from hundreds of periodicals and books excerpted for the series .
Seite 297
Norman Rabkin formulates his own version of this critical position in the following terms : Sources de Timon of Athens ' , Études Anglaises , 7 ( 1954 ) , 59-69 , for example , claim that the comedy was a school play , never acted in ...
Norman Rabkin formulates his own version of this critical position in the following terms : Sources de Timon of Athens ' , Études Anglaises , 7 ( 1954 ) , 59-69 , for example , claim that the comedy was a school play , never acted in ...
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For his part , Rabkin has recently revised his critical attitude toward “ meaning " ; he has , however , done so without sacrificing his commitment to humanistic ends which Jameson would consider ideologically exclusive as the following ...
For his part , Rabkin has recently revised his critical attitude toward “ meaning " ; he has , however , done so without sacrificing his commitment to humanistic ends which Jameson would consider ideologically exclusive as the following ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young
Bibliografische Informationen
| Titel | Shakespearean Criticism, Band 78 Literature criticism online Shakespearean Criticism |
| Herausgeber | Michael LaBlanc |
| Verlag | Gale, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787670081, 9780787670085 |
| Länge | 432 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |