Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 20
In TR , which also includes such a dispute , Queen Eleanor has the last word in the debate , claiming “ justice ” on her ... Similarly , when Chatillon proceeds to claim all of John's lands for Arthur , John advances no counter - claim ...
In TR , which also includes such a dispute , Queen Eleanor has the last word in the debate , claiming “ justice ” on her ... Similarly , when Chatillon proceeds to claim all of John's lands for Arthur , John advances no counter - claim ...
Seite 30
The boy's implicit indifference to and distaste for pursuing his dynastic claim ( which would have been unthinkable in the historical Arthur ) is answered by a nearly hysterical reiteration of that claim by his mother , who claims to be ...
The boy's implicit indifference to and distaste for pursuing his dynastic claim ( which would have been unthinkable in the historical Arthur ) is answered by a nearly hysterical reiteration of that claim by his mother , who claims to be ...
Seite 305
And my critical reconstruction of audience response to a play I have myself set into motion may be too subjectively charged to lay any claim to consensual validity . The problem of consensual validity is , I believe , a central one ...
And my critical reconstruction of audience response to a play I have myself set into motion may be too subjectively charged to lay any claim to consensual validity . The problem of consensual validity is , I believe , a central one ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young