Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 27
A re - examination of Shakespeare's child characters seems appropriate in light of such new conceptions of Renaissance children , literary and otherwise . My primary focus for such re - examination is King John , one of the most ...
A re - examination of Shakespeare's child characters seems appropriate in light of such new conceptions of Renaissance children , literary and otherwise . My primary focus for such re - examination is King John , one of the most ...
Seite 214
certain male characters at the conclusion of a play tends to express enmity , not agreement . Malcolm's question arises as much from frustration as from curiosity . Perhaps he expected Macduff to be bewildered by his portrait of a man ...
certain male characters at the conclusion of a play tends to express enmity , not agreement . Malcolm's question arises as much from frustration as from curiosity . Perhaps he expected Macduff to be bewildered by his portrait of a man ...
Seite 218
Male characters , like Bolingbroke , choose to be silent because their best interests are better served by silence than by speech . In fact , their silence may even encourage the speaker to continue talking . For example , in 1 Henry IV ...
Male characters , like Bolingbroke , choose to be silent because their best interests are better served by silence than by speech . In fact , their silence may even encourage the speaker to continue talking . For example , in 1 Henry IV ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young
Bibliografische Informationen
| Titel | Shakespearean Criticism, Band 78 Literature criticism online Shakespearean Criticism |
| Herausgeber | Michael LaBlanc |
| Verlag | Gale, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787670081, 9780787670085 |
| Länge | 432 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |