Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 36
So tell the Pope , all reverence set apart To him and his usurped authority . ( 3.1.147-60 ) There is an ambiguity in this homecoming , for it is not clear whether in coming home the nobles are to put the good of the nation above their ...
So tell the Pope , all reverence set apart To him and his usurped authority . ( 3.1.147-60 ) There is an ambiguity in this homecoming , for it is not clear whether in coming home the nobles are to put the good of the nation above their ...
Seite 252
First , by invoking religious authority over secular ( in her arguments to the Duke's representative , Angelo ) , she challenges the secular political control of the state ; second , by choosing virginity , she resists the social ...
First , by invoking religious authority over secular ( in her arguments to the Duke's representative , Angelo ) , she challenges the secular political control of the state ; second , by choosing virginity , she resists the social ...
Seite 253
But after she cleaved unto religious authority , that authority re - presented itself once again as divine right absolutist authority . This visual transformation , suggestive of a magician's sleight , brilliantly conveys how Isabella ...
But after she cleaved unto religious authority , that authority re - presented itself once again as divine right absolutist authority . This visual transformation , suggestive of a magician's sleight , brilliantly conveys how Isabella ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young