Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 26
Hardin Craig ( Chapel Hill , 1944 ) , pp . 76-7 ( my italics ) . The translation probably dates from c . 1584 . 43. The similarity of Shakespeare's later history plays to Machiavelli's Prince , or at least to the ...
Hardin Craig ( Chapel Hill , 1944 ) , pp . 76-7 ( my italics ) . The translation probably dates from c . 1584 . 43. The similarity of Shakespeare's later history plays to Machiavelli's Prince , or at least to the ...
Seite 122
The sly treachery with which John drops insinuation into the initially unreceptive ears of Claudio and the Prince recalls lago , that other dissembling rogue who , posing as a plain - dealer , “ twists suspicion into assurance .
The sly treachery with which John drops insinuation into the initially unreceptive ears of Claudio and the Prince recalls lago , that other dissembling rogue who , posing as a plain - dealer , “ twists suspicion into assurance .
Seite 230
“ If the Prince do solicit you in that kind , " he tells Hero , meaning in the way of marriage , “ you know your answer " ( 2.1.57-59 ) . And Claudio also believes this account of Pedro's affections when it is related to him by Don John ...
“ If the Prince do solicit you in that kind , " he tells Hero , meaning in the way of marriage , “ you know your answer " ( 2.1.57-59 ) . And Claudio also believes this account of Pedro's affections when it is related to him by Don John ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young