Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 127
We know it to have been important in affecting her decision because a little while earlier she was actually prepared for a proposal from Don Pedro . Secondly , Claudio's love is also qualified by the way in which at a word from Don John ...
We know it to have been important in affecting her decision because a little while earlier she was actually prepared for a proposal from Don Pedro . Secondly , Claudio's love is also qualified by the way in which at a word from Don John ...
Seite 136
She expects , because of previous misinformation , to be wooed by Pedro . She is wooed by a man in a mask who is in fact Pedro , but an oblique Pedro wooing in the name of Claudio . Claudio is , in a sense , Pedro's mask .
She expects , because of previous misinformation , to be wooed by Pedro . She is wooed by a man in a mask who is in fact Pedro , but an oblique Pedro wooing in the name of Claudio . Claudio is , in a sense , Pedro's mask .
Seite 230
And Claudio also believes this account of Pedro's affections when it is related to him by Don John , who seems , or pretends , to be commenting upon what his brother is actually doing during the , to us , invisible wooing scene .
And Claudio also believes this account of Pedro's affections when it is related to him by Don John , who seems , or pretends , to be commenting upon what his brother is actually doing during the , to us , invisible wooing scene .
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young