Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 163
again focuses on this king's truth , soundness , and honesty , it is Henry's silence more than anything he says which sharpens the focus . It is on these two episodes , for which Henry has often been maligned by critics , that I would ...
again focuses on this king's truth , soundness , and honesty , it is Henry's silence more than anything he says which sharpens the focus . It is on these two episodes , for which Henry has often been maligned by critics , that I would ...
Seite 164
eighty noisy lines by others , Henry speaks four very quiet lines which seem only vaguely related to what is going on but are actually critically related to it : Henry's isolation is inevitable . His times have been corrupted beyond ...
eighty noisy lines by others , Henry speaks four very quiet lines which seem only vaguely related to what is going on but are actually critically related to it : Henry's isolation is inevitable . His times have been corrupted beyond ...
Seite 165
Henry at first intends no deal . He means York to leave simply because the untainted truth of Henry's position will make it impossible for York to resist . But York and Warwick , who are using political methods Henry has never faced ...
Henry at first intends no deal . He means York to leave simply because the untainted truth of Henry's position will make it impossible for York to resist . But York and Warwick , who are using political methods Henry has never faced ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young