Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 29
The further outbreak of war between France and England that follows in act 3 and results in Arthur's capture by John is thus waged under a Papal interest in the boy's rights that is unhistorical . And John's order for Arthur's death ...
The further outbreak of war between France and England that follows in act 3 and results in Arthur's capture by John is thus waged under a Papal interest in the boy's rights that is unhistorical . And John's order for Arthur's death ...
Seite 36
England is safe as long as her princes “ welcome home again discarded faith ” ( 5.4.12 ) , i.e. , are loyal to England's king Tell him this tale , and from the mouth of England Add thus much more : that no Italian priest Shall tithe or ...
England is safe as long as her princes “ welcome home again discarded faith ” ( 5.4.12 ) , i.e. , are loyal to England's king Tell him this tale , and from the mouth of England Add thus much more : that no Italian priest Shall tithe or ...
Seite 37
After excommunicating John , Pandulph requires that Philip break his newly made peace with England on pain of being likewise excommunicated ( 3.1.295 , 319 ) . Breaking the league with John will lead immediately to war between France ...
After excommunicating John , Pandulph requires that Philip break his newly made peace with England on pain of being likewise excommunicated ( 3.1.295 , 319 ) . Breaking the league with John will lead immediately to war between France ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young