Shakespearean Criticism, Band 78Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 189
Thus , the " quick'ning " that the Duke says he thinks he sees must be validated by an appropriate and clearly visible gesture on the part of a silent Angelo . He might , for example , take Mariana's hand or put his arm around her or ...
Thus , the " quick'ning " that the Duke says he thinks he sees must be validated by an appropriate and clearly visible gesture on the part of a silent Angelo . He might , for example , take Mariana's hand or put his arm around her or ...
Seite 190
That repositioning meant that the Angelo of Hack's production did not - as he does in Shakespeare's playtextcontinue to call for death even after he is married to Mariana and after both she ( as his wife ) and Isabella plead for his ...
That repositioning meant that the Angelo of Hack's production did not - as he does in Shakespeare's playtextcontinue to call for death even after he is married to Mariana and after both she ( as his wife ) and Isabella plead for his ...
Seite 191
love her , Angelo ; / I have confessed her and know her virtue " ) , they came forward together , as a couple , to accept the applause of an audience who had seen in their gestures evidence that Angelo's silence expressed his full ...
love her , Angelo ; / I have confessed her and know her virtue " ) , they came forward together , as a couple , to accept the applause of an audience who had seen in their gestures evidence that Angelo's silence expressed his full ...
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Inhalt
King John | 1 |
Character Studies | 14 |
Production Reviews | 40 |
Urheberrecht | |
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action Angelo appears Arthur audience authority Bastard Beatrice becomes begins Benedick brother calls characters claim Claudio comedy comic concern course critical death desire directed Don John Duke effect Elizabethan England English essay expression fact father feelings female figure final friends give hand heart Henry Hero human interpretation Isabella John's kind King John language later Lear less lines live London lovers male marriage meaning Measure moral nature never notes once Pedro performance play play's plot political position present Press Prince production provides question relation remains represents response rhetoric Richard role says scene seems sense sexual Shake Shakespeare silence speak speech stage Studies suggests tells things thou Timon of Athens tion tragedy true turn University woman women York young