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Seite 203
Moreover , to read through the different women's narratives that make up Vietnam : un peuple , des voix is to understand the difficult process of negotiation by which Mai herself had to transcribe , translate , and edit in order to ...
Moreover , to read through the different women's narratives that make up Vietnam : un peuple , des voix is to understand the difficult process of negotiation by which Mai herself had to transcribe , translate , and edit in order to ...
Seite 204
28 a women featured in the film are passive players in the execution of Trinh's theories , I point to the active cooperation among womenthe ethnographer ( Mai ) , documentarian ( Trinh ) , and storytelling subject ( women in Việt Nam ...
28 a women featured in the film are passive players in the execution of Trinh's theories , I point to the active cooperation among womenthe ethnographer ( Mai ) , documentarian ( Trinh ) , and storytelling subject ( women in Việt Nam ...
Seite 206
38 While it may be true that the women in Việt Nam took a risk in speaking out against the state , grounded in Gracki's statement is a conflation of all women , one that collapses Vietnamese and Vietnamese diasporic women , as well as ...
38 While it may be true that the women in Việt Nam took a risk in speaking out against the state , grounded in Gracki's statement is a conflation of all women , one that collapses Vietnamese and Vietnamese diasporic women , as well as ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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