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Undoubtedly , the government has used hallyu as a way to strengthen the national economy in a competitive global television marketplace and in some sense brand the nation within a neoliberal transnational arena via popular audiovisual ...
Undoubtedly , the government has used hallyu as a way to strengthen the national economy in a competitive global television marketplace and in some sense brand the nation within a neoliberal transnational arena via popular audiovisual ...
Seite 361
In what follows , I explore the history of the wuxia genre in Hong Kong ; the relationship of the U.S.- and New Zealand - produced television series Xena : Warrior Princess to that genre as prompted by the practices of fanboy producers ...
In what follows , I explore the history of the wuxia genre in Hong Kong ; the relationship of the U.S.- and New Zealand - produced television series Xena : Warrior Princess to that genre as prompted by the practices of fanboy producers ...
Seite 362
The circulation of films and television shows across national boundaries makes possible the reinvention , and in some cases , the translation of film and television techniques in a new and distinct national context .
The circulation of films and television shows across national boundaries makes possible the reinvention , and in some cases , the translation of film and television techniques in a new and distinct national context .
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young
Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |