Discourse, Band 31,Ausgabe 32009 |
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Seite 220
... story in two lines of poetry : " Mae sin lom sin jai / rue ja sin alai sineha ” ( Although she was dead / her desire persisted ) ' ( figure 1 ) . The film poster summarizes the predicament of the ghost , who aims to pro- long her love ...
... story in two lines of poetry : " Mae sin lom sin jai / rue ja sin alai sineha ” ( Although she was dead / her desire persisted ) ' ( figure 1 ) . The film poster summarizes the predicament of the ghost , who aims to pro- long her love ...
Seite 222
... story's setting in the nineteenth century and an ideal of femininity in the present . However , the remarkable effect of Nonzee's translation of the legend into a Buddhist genre of stories - in which women have to embody the truths of ...
... story's setting in the nineteenth century and an ideal of femininity in the present . However , the remarkable effect of Nonzee's translation of the legend into a Buddhist genre of stories - in which women have to embody the truths of ...
Seite 246
... story of the courtesan Vasavadattā and the perfume merchant Upagupta is told in the Divyāvadāna and the Aśokāvadāna and in Ksemendra's Avadānakalpalatā . I refer here to John S. Strong's translation of the story in the Aśokāvadāna ( The ...
... story of the courtesan Vasavadattā and the perfume merchant Upagupta is told in the Divyāvadāna and the Aśokāvadāna and in Ksemendra's Avadānakalpalatā . I refer here to John S. Strong's translation of the story in the Aśokāvadāna ( The ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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