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Seite 199
More specifically , Trinh superimposes multiple voice - overs while the subject speaks and fills the screen with subtitles of parts of the women's speech at various moments in the film . However , the lack of subtitles in the film is ...
More specifically , Trinh superimposes multiple voice - overs while the subject speaks and fills the screen with subtitles of parts of the women's speech at various moments in the film . However , the lack of subtitles in the film is ...
Seite 333
Sharon Cuneta's comments prior to the release of Bukas index her awareness of the extreme change in her iconography and of the distance these new roles represented from her own star persona both on screen and off screen .
Sharon Cuneta's comments prior to the release of Bukas index her awareness of the extreme change in her iconography and of the distance these new roles represented from her own star persona both on screen and off screen .
Seite 335
Instead , they now represent foreign aggression ably parried by Sharon Cuneta . " 47 The indigenization of Sharon's elite - identified screen persona was accomplished in part by casting other mixed - race performers as “ predatory ...
Instead , they now represent foreign aggression ably parried by Sharon Cuneta . " 47 The indigenization of Sharon's elite - identified screen persona was accomplished in part by casting other mixed - race performers as “ predatory ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young