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Seite 234
In a key scene set late at night while Mak is asleep , Nak combs her hair with the comb that was ritually broken ... That Nak's body becomes the site and medium of gender nostalgia is most evident in three scenes of flashback memory .
In a key scene set late at night while Mak is asleep , Nak combs her hair with the comb that was ritually broken ... That Nak's body becomes the site and medium of gender nostalgia is most evident in three scenes of flashback memory .
Seite 344
It was precisely the sound of mestiza privilege that such scenes in Bituing Walang Ningning trumpeted to unintentional ... In such a context , the speech - clinic scene of Bituing Walang Ningning functions almost as an inside joke .
It was precisely the sound of mestiza privilege that such scenes in Bituing Walang Ningning trumpeted to unintentional ... In such a context , the speech - clinic scene of Bituing Walang Ningning functions almost as an inside joke .
Seite 362
In speaking of these techniques , I refer not simply to cinematography , editing , and mise - en - scène but also the use of special effects , performance styles , and assistive devices ( wires , trampolines , ratchets , etc. ) ...
In speaking of these techniques , I refer not simply to cinematography , editing , and mise - en - scène but also the use of special effects , performance styles , and assistive devices ( wires , trampolines , ratchets , etc. ) ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |