Discourse, Band 31,Ausgabe 32009 |
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Seite 368
... production processes of Xena ; identifying semantic and syntactic genre elements common to the wuxia cycle that are present in the show ; and examining the conditions and effects that enabled the production context of the series ...
... production processes of Xena ; identifying semantic and syntactic genre elements common to the wuxia cycle that are present in the show ; and examining the conditions and effects that enabled the production context of the series ...
Seite 382
... production.63 Xena's production context forced three acts of communicative translation : the sale of Xena as a compilation of Hong Kong wuxia sequences in preproduction , the reception and re - creation of these sequences by stunt ...
... production.63 Xena's production context forced three acts of communicative translation : the sale of Xena as a compilation of Hong Kong wuxia sequences in preproduction , the reception and re - creation of these sequences by stunt ...
Seite 385
... Production Labor " [ PhD diss . , University of California - Los Angeles , 2006 ] , 178–91 ) . 15 Stunt doubles are classified as actors in the United States by virtue of their membership in the Screen Actor's Guild . This was not ...
... Production Labor " [ PhD diss . , University of California - Los Angeles , 2006 ] , 178–91 ) . 15 Stunt doubles are classified as actors in the United States by virtue of their membership in the Screen Actor's Guild . This was not ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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