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Seite 223
In the Thai context , Nang Nak was the signature film of a reviving and globally circulating national cinema that emerged in the period of political - cultural recontextualization after the Asian economic crisis in 1997.
In the Thai context , Nang Nak was the signature film of a reviving and globally circulating national cinema that emerged in the period of political - cultural recontextualization after the Asian economic crisis in 1997.
Seite 226
The Politics of Ghostly Return > Interrogating notions of haunting's potential for progressive historical and political transformation , this analysis focuses on an instance in which ghostly return is not primarily reparative .
The Politics of Ghostly Return > Interrogating notions of haunting's potential for progressive historical and political transformation , this analysis focuses on an instance in which ghostly return is not primarily reparative .
Seite 265
Moreover , analyses of political economic structures show how the rise of the transnational Korean media industry and other sectors , like the transnational Korean cosmetics industry , have in many ways followed similar patterns of ...
Moreover , analyses of political economic structures show how the rise of the transnational Korean media industry and other sectors , like the transnational Korean cosmetics industry , have in many ways followed similar patterns of ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young
Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |