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Seite 239
Why have you come here to see me now that my body is unfit to be looked at , plastered with mud and blood , causing fear , having lost its wonder , joy , pleasure , and play ? * 9 Distressing as Vāsavadattā's discourse on the ...
Why have you come here to see me now that my body is unfit to be looked at , plastered with mud and blood , causing fear , having lost its wonder , joy , pleasure , and play ? * 9 Distressing as Vāsavadattā's discourse on the ...
Seite 285
... and thus dressed exclusively in male style , wore short hair , liked to play soldier , “ went steady with girlfriends , ” and desired a female wife.65 Tin Maung Myo used masculine linguistic markers for self - reference and sought ...
... and thus dressed exclusively in male style , wore short hair , liked to play soldier , “ went steady with girlfriends , ” and desired a female wife.65 Tin Maung Myo used masculine linguistic markers for self - reference and sought ...
Seite 336
Second , Sharon - as - Nora inaugurates a play of misidentifications ( the mestiza appropriates Noranian mythology ) through which the disruption of mestiza stardom inaugurated by Nora comes full circle , partly capturing and ...
Second , Sharon - as - Nora inaugurates a play of misidentifications ( the mestiza appropriates Noranian mythology ) through which the disruption of mestiza stardom inaugurated by Nora comes full circle , partly capturing and ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young
Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |