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Seite 367
Shaw Brothers and Golden Harvest ceased to produce martial arts films in the style of the new wuxia pian in 1980 , a period in which both the publication of wuxia literature and theater attendance for the genre declined .
Shaw Brothers and Golden Harvest ceased to produce martial arts films in the style of the new wuxia pian in 1980 , a period in which both the publication of wuxia literature and theater attendance for the genre declined .
Seite 379
55 Much of the stunt sequences for Kill Bill were shot in China , under the tutelage of choreographer Yuen Woo Ping , who came to prominence as a martial arts director in Hong Kong in the 1970s . Bell not only had to remove traces of ...
55 Much of the stunt sequences for Kill Bill were shot in China , under the tutelage of choreographer Yuen Woo Ping , who came to prominence as a martial arts director in Hong Kong in the 1970s . Bell not only had to remove traces of ...
Seite 386
Actors who played Huang Fei Hong had to undergo martial arts training ( “ Hong Kong Popular Culture as an Interpretive Arena : The Huang Feihong Film Series , ” Screen 3 , no . 8 ( 1997 ) : 1-24 , esp . 9 ) .
Actors who played Huang Fei Hong had to undergo martial arts training ( “ Hong Kong Popular Culture as an Interpretive Arena : The Huang Feihong Film Series , ” Screen 3 , no . 8 ( 1997 ) : 1-24 , esp . 9 ) .
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young
Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |