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Seite 219
67 68 66 Laura U. Marks , The Skin of the Film : Intercultural Cinema , Embodiment , and the Senses ( Durham , NC : Duke University Press , 2000 ) , 243 . Gracki , “ True Lies , ” 54 . Writing on Reassemblage , Catherine Russell speaks ...
67 68 66 Laura U. Marks , The Skin of the Film : Intercultural Cinema , Embodiment , and the Senses ( Durham , NC : Duke University Press , 2000 ) , 243 . Gracki , “ True Lies , ” 54 . Writing on Reassemblage , Catherine Russell speaks ...
Seite 223
The framing by historically significant personae and events marks the communal or local occurrences in the story as national . According to Susan Stewart , this " nostalgia for the presence of the body and the face - to - face , a dream ...
The framing by historically significant personae and events marks the communal or local occurrences in the story as national . According to Susan Stewart , this " nostalgia for the presence of the body and the face - to - face , a dream ...
Seite 290
The exceptional flamboyance associated with the effeminate meinmasha vacillates between a hereditary or essential trait that marks a kind of “ third gender ” 99 and a consciously queer performance that has transformed Taungbyon from a ...
The exceptional flamboyance associated with the effeminate meinmasha vacillates between a hereditary or essential trait that marks a kind of “ third gender ” 99 and a consciously queer performance that has transformed Taungbyon from a ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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