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Seite 220
Nang Nak — Ghost Wife : Desire , Embodiment , and Buddhist Melancholia in a Contemporary Thai Ghost Film a Arnika Fuhrmann A poster for the 1999 film Nang Nak introduces the problem of the story in two lines of poetry : “ Mae sin lom ...
Nang Nak — Ghost Wife : Desire , Embodiment , and Buddhist Melancholia in a Contemporary Thai Ghost Film a Arnika Fuhrmann A poster for the 1999 film Nang Nak introduces the problem of the story in two lines of poetry : “ Mae sin lom ...
Seite 226
Like other contemporary ghost films , Nang Nak draws its references especially from two traditions of the ( pleasurable ) witnessing of female death in Thailand . Both in Theravadin Buddhist soteriology and sayasat ( Thai occult ...
Like other contemporary ghost films , Nang Nak draws its references especially from two traditions of the ( pleasurable ) witnessing of female death in Thailand . Both in Theravadin Buddhist soteriology and sayasat ( Thai occult ...
Seite 227
In this context , the ghost can be thought to represent a paradigmatic figure of minority subjectivity . Avery Gordon accords strong disruptive potential to such a figure : Following the ghosts is sometimes about writing ghost stories ...
In this context , the ghost can be thought to represent a paradigmatic figure of minority subjectivity . Avery Gordon accords strong disruptive potential to such a figure : Following the ghosts is sometimes about writing ghost stories ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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