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Seite 223
According to Susan Stewart , this " nostalgia for the presence of the body and the face - to - face , a dream of unmediated communication ” —and this articulation of the communal with the national — are marks of the “ distressed genre .
According to Susan Stewart , this " nostalgia for the presence of the body and the face - to - face , a dream of unmediated communication ” —and this articulation of the communal with the national — are marks of the “ distressed genre .
Seite 367
Supported by invisible cables and harnesses , the limber bodies of skilled performers glided gracefully through the air with swords drawn.30 While film critics abroad attributed the aesthetic innovations introduced by the genre to ...
Supported by invisible cables and harnesses , the limber bodies of skilled performers glided gracefully through the air with swords drawn.30 While film critics abroad attributed the aesthetic innovations introduced by the genre to ...
Seite 384
... ( the “ jerk off " ) have on the spectator ( “ Body Genres : Gender , Genre and Excess , ” in Feminist Film Theory : A Reader , ed . Sue Thornham ( New York : New York University Press , 1999 ) , 267–84 , quotations on 269–71 ) .
... ( the “ jerk off " ) have on the spectator ( “ Body Genres : Gender , Genre and Excess , ” in Feminist Film Theory : A Reader , ed . Sue Thornham ( New York : New York University Press , 1999 ) , 267–84 , quotations on 269–71 ) .
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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