Discourse, Band 31,Ausgabe 32009 |
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Seite 196
... film and contextualize how these women are engaged in the performance of memory within and outside the film . Going against a critical body of work that elide the women's acts of storytelling in Trinh's film in favor of auteurist ...
... film and contextualize how these women are engaged in the performance of memory within and outside the film . Going against a critical body of work that elide the women's acts of storytelling in Trinh's film in favor of auteurist ...
Seite 202
... film ; she is both a translator and traitor as a result of the collaborative act . As Trinh retells it , the problem of being “ framed ” had actually been sutured into the fabric of the film from its inception , a point Trinh empha ...
... film ; she is both a translator and traitor as a result of the collaborative act . As Trinh retells it , the problem of being “ framed ” had actually been sutured into the fabric of the film from its inception , a point Trinh empha ...
Seite 363
... film laborers.14 These trained " actors " deliver the genre's most visually arresting images while hiding in plain sight as spectacle.15 In recent years , there has been a proliferation of writing in film and media studies on stunt work ...
... film laborers.14 These trained " actors " deliver the genre's most visually arresting images while hiding in plain sight as spectacle.15 In recent years , there has been a proliferation of writing in film and media studies on stunt work ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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