Discourse, Band 31,Ausgabe 32009 |
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Seite 257
Figure 1. The camera opens with a medium shot of Harisu's chest , whose cleavage peeks out from behind a deep V - cut top . Harisu in a television commercial for Dodo's Palgantong Fania product line , 2001. Commercial by the advertising ...
Figure 1. The camera opens with a medium shot of Harisu's chest , whose cleavage peeks out from behind a deep V - cut top . Harisu in a television commercial for Dodo's Palgantong Fania product line , 2001. Commercial by the advertising ...
Seite 294
... ( figure 9 ) . Many Buddhist Burmese believe a child's ( sexual or gendered ) aberrance is the karmic result of ... ( figure 10 ) . This is my grand - niece . Figure 10. Medium. 294 Tamara C. Ho.
... ( figure 9 ) . Many Buddhist Burmese believe a child's ( sexual or gendered ) aberrance is the karmic result of ... ( figure 10 ) . This is my grand - niece . Figure 10. Medium. 294 Tamara C. Ho.
Seite 373
... figure 1 , in which Bell is suspended in flight , dressed in a red kimono , and set on fire , and in figure 2 from the film Double Dare ( dir . Amanda Micheli , 2004 ) , in which the production process is made apparent . In this shot ...
... figure 1 , in which Bell is suspended in flight , dressed in a red kimono , and set on fire , and in figure 2 from the film Double Dare ( dir . Amanda Micheli , 2004 ) , in which the production process is made apparent . In this shot ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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