Discourse, Band 31,Ausgabe 32009 |
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Seite 215
... Cinema Interval [ New York : Routledge , 1999 ] , 57 ) 13 Hamid Naficy , An Accented Cinema : Exilic and Diasporic Filmmaking ( Princeton , NJ : Princeton University Press , 2001 ) , 72 . 14 According to David Marr , Phan Bội Châu often ...
... Cinema Interval [ New York : Routledge , 1999 ] , 57 ) 13 Hamid Naficy , An Accented Cinema : Exilic and Diasporic Filmmaking ( Princeton , NJ : Princeton University Press , 2001 ) , 72 . 14 According to David Marr , Phan Bội Châu often ...
Seite 383
... cinemas . Despite its intransi- gence to national cinema paradigms , however , Hong Kong cinema as an object of cinephilia and critical study has produced a national cinema effect that makes it possible , for example , to consider Hong ...
... cinemas . Despite its intransi- gence to national cinema paradigms , however , Hong Kong cinema as an object of cinephilia and critical study has produced a national cinema effect that makes it possible , for example , to consider Hong ...
Seite 396
... Cinema , the Fantastic , and Temporal Critique ( Duke University Press , 2009 ) . Her research and teaching center on Philippine cinema ; temporality ; postcolo- nial feminist film theory ; transnational horror and the fantastic ; and ...
... Cinema , the Fantastic , and Temporal Critique ( Duke University Press , 2009 ) . Her research and teaching center on Philippine cinema ; temporality ; postcolo- nial feminist film theory ; transnational horror and the fantastic ; and ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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