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Seite 289
94 ” Homophobia and heteronormativity have contributed to an increasing number of meinmasha becoming nat kadaws , but this transgendered rebellion is still limited by ... 95 It's not like I had a choice to become a natkadaw or not .
94 ” Homophobia and heteronormativity have contributed to an increasing number of meinmasha becoming nat kadaws , but this transgendered rebellion is still limited by ... 95 It's not like I had a choice to become a natkadaw or not .
Seite 349
For historians of contemporary Philippine cinema , it has become a truism that , sometime between the late 1960s and the early 1980s , the divisions between audiences , in terms both of class and language , started to become more ...
For historians of contemporary Philippine cinema , it has become a truism that , sometime between the late 1960s and the early 1980s , the divisions between audiences , in terms both of class and language , started to become more ...
Seite 373
The process of becoming a bodily spectacle is enhanced by cinematography , editing , costume , CGI , and other special ” effects as seen in figure 1 , in which Bell is suspended in flight , dressed in a red kimono , and set on fire ...
The process of becoming a bodily spectacle is enhanced by cinematography , editing , costume , CGI , and other special ” effects as seen in figure 1 , in which Bell is suspended in flight , dressed in a red kimono , and set on fire ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young