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19 Trinh T. Minh - ha criticizes Western spectators and their consumption of the war in this pithy statement : “ Every spectator owns a Vietnam of his or her own ” ( “ All - Owning Spectatorship , " in Otherness and the Media : The ...
19 Trinh T. Minh - ha criticizes Western spectators and their consumption of the war in this pithy statement : “ Every spectator owns a Vietnam of his or her own ” ( “ All - Owning Spectatorship , " in Otherness and the Media : The ...
Seite 275
... and often masculinist epistemologył4 that threatens to overshadow other sexual minority subject positions and inhibits human rights and social justice work within and beyond Burma.15 Western documentation often mislabels Burmese ...
... and often masculinist epistemologył4 that threatens to overshadow other sexual minority subject positions and inhibits human rights and social justice work within and beyond Burma.15 Western documentation often mislabels Burmese ...
Seite 276
Recent cultural productions emerging from Burma , geared knowingly toward translation , illuminate dynamics of gender , sexuality , and relationality that challenge Western cognitive and interpretive frameworks .
Recent cultural productions emerging from Burma , geared knowingly toward translation , illuminate dynamics of gender , sexuality , and relationality that challenge Western cognitive and interpretive frameworks .
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young
Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |