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Seite 197
Trinh addresses this masculinism in the ways that she reappropriates the famous words of antiFrench leader Phan Bội Châu to make them serve as the film's title . Trinh critiques a form of heteropatriarchal nationalism that requires ...
Trinh addresses this masculinism in the ways that she reappropriates the famous words of antiFrench leader Phan Bội Châu to make them serve as the film's title . Trinh critiques a form of heteropatriarchal nationalism that requires ...
Seite 202
At this point , it is clear that Trinh stresses her performing self as an integral part of the interviewing process . In effect , she becomes the “ framer ” who is " framed ” within this collaborative project .
At this point , it is clear that Trinh stresses her performing self as an integral part of the interviewing process . In effect , she becomes the “ framer ” who is " framed ” within this collaborative project .
Seite 217
36 These are Mai's words , which Trinh reads in the film . 37 Katherine Gracki , “ True Lies : Staging the Ethnographic Interview in Trinh T. Minh - ha's Surname Viet , Given Name Nam , ” Pacific Coast Philology 36 ( 2001 ) : 48–63 ...
36 These are Mai's words , which Trinh reads in the film . 37 Katherine Gracki , “ True Lies : Staging the Ethnographic Interview in Trinh T. Minh - ha's Surname Viet , Given Name Nam , ” Pacific Coast Philology 36 ( 2001 ) : 48–63 ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |