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Seite 335
The second was the following year's Bituing Walang Ningning , which set a new box office record , 45 prompting Liwayway to pronounce her " the new movie queen ” of the Philippines.46 In the wake of her Noranian turn , Sharon took up ...
The second was the following year's Bituing Walang Ningning , which set a new box office record , 45 prompting Liwayway to pronounce her " the new movie queen ” of the Philippines.46 In the wake of her Noranian turn , Sharon took up ...
Seite 348
Over a decade later , in 1984 , the year of Sharon's own translative Noranian conversion , the degree to which her predecessor had altered the terms of Philippine film stardom was apparent in Liwayway's account of the obstacles Sharon ...
Over a decade later , in 1984 , the year of Sharon's own translative Noranian conversion , the degree to which her predecessor had altered the terms of Philippine film stardom was apparent in Liwayway's account of the obstacles Sharon ...
Seite 354
Pinapanood and mga Pelikula ni Sharon Cuneta " ( Mirrors and Movies , or Why I Watch Sharon Cuneta Films ) , Kultura 2 , no . 4 ( 1989 ) : 2–8 ) My thanks to Joi Barrios for so generously providing an English translation for that ...
Pinapanood and mga Pelikula ni Sharon Cuneta " ( Mirrors and Movies , or Why I Watch Sharon Cuneta Films ) , Kultura 2 , no . 4 ( 1989 ) : 2–8 ) My thanks to Joi Barrios for so generously providing an English translation for that ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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