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Seite 335
... box office record , 45 prompting Liwayway to pronounce her " the new movie queen ” of the Philippines.46 In the wake of her Noranian turn , Sharon took up Nora Aunor's mantle as the new superstar of Filipino cinema in the eighties .
... box office record , 45 prompting Liwayway to pronounce her " the new movie queen ” of the Philippines.46 In the wake of her Noranian turn , Sharon took up Nora Aunor's mantle as the new superstar of Filipino cinema in the eighties .
Seite 336
First , Sharon's Noranian turn in the mid - eighties produced conspicuous reversals in comparison to her prior films ' metonymic logic of place . In Sharon's melodramatic backstage musicals , Bukas Luluhod ang Mga Tala and Bituing ...
First , Sharon's Noranian turn in the mid - eighties produced conspicuous reversals in comparison to her prior films ' metonymic logic of place . In Sharon's melodramatic backstage musicals , Bukas Luluhod ang Mga Tala and Bituing ...
Seite 349
My final point about Sharon Cuneta's Noranian turn in the mid - 1980s , then , is that it points to a broader shift in audience patterns in Filipino popular cinema . For historians of contemporary Philippine cinema , it has become a ...
My final point about Sharon Cuneta's Noranian turn in the mid - 1980s , then , is that it points to a broader shift in audience patterns in Filipino popular cinema . For historians of contemporary Philippine cinema , it has become a ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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