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Seite 335
16 In the wake of her Noranian turn , Sharon took up Nora Aunor's mantle as the new superstar of Filipino cinema in the eighties . In Bituing Walang Ninging , Sharon plays Dorina , a lowly street vendor who sells sampaguita flowers and ...
16 In the wake of her Noranian turn , Sharon took up Nora Aunor's mantle as the new superstar of Filipino cinema in the eighties . In Bituing Walang Ninging , Sharon plays Dorina , a lowly street vendor who sells sampaguita flowers and ...
Seite 336
First , Sharon's Noranian turn in the mid - eighties produced conspicuous reversals in comparison to her prior films ' metonymic logic of place . In Sharon's melodramatic backstage musicals , Bukas Luluhod ang Mga Tala and Bituing ...
First , Sharon's Noranian turn in the mid - eighties produced conspicuous reversals in comparison to her prior films ' metonymic logic of place . In Sharon's melodramatic backstage musicals , Bukas Luluhod ang Mga Tala and Bituing ...
Seite 349
My final point about Sharon Cuneta's Noranian turn in the mid - 1980s , then , is that it points to a broader shift in audience patterns in Filipino popular cinema . For historians of contemporary Philippine cinema , it has become a ...
My final point about Sharon Cuneta's Noranian turn in the mid - 1980s , then , is that it points to a broader shift in audience patterns in Filipino popular cinema . For historians of contemporary Philippine cinema , it has become a ...
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young
Bibliografische Informationen
| Titel | Discourse, Band 31,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2009 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |