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Seite 220
Nang Nak — Ghost Wife : Desire , Embodiment , and Buddhist Melancholia in a Contemporary Thai Ghost Film a Arnika Fuhrmann A poster for the 1999 film Nang Nak introduces the problem of the story in two lines of poetry : “ Mae sin lom ...
Nang Nak — Ghost Wife : Desire , Embodiment , and Buddhist Melancholia in a Contemporary Thai Ghost Film a Arnika Fuhrmann A poster for the 1999 film Nang Nak introduces the problem of the story in two lines of poetry : “ Mae sin lom ...
Seite 223
What Nang Nak highlights after all is face - to - face community — to all evidence , in a prenational setting . On the level of its story , Nang Nak's nationalism becomes evident only through the dating of an eclipse and through the ...
What Nang Nak highlights after all is face - to - face community — to all evidence , in a prenational setting . On the level of its story , Nang Nak's nationalism becomes evident only through the dating of an eclipse and through the ...
Seite 235
In this resolution , Nang Nak's sayasat , or “ death magic " —its manipulation of a female corpse for a future end - lies in how it makes female haunting serviceable to a vision of contemporary gender ideals .
In this resolution , Nang Nak's sayasat , or “ death magic " —its manipulation of a female corpse for a future end - lies in how it makes female haunting serviceable to a vision of contemporary gender ideals .
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Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
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