Im Buch
Ergebnisse 1-3 von 27
Seite 369
Raimi and Tapert were also avid consumers of Hong Kong texts and participated in fan practices , not only sharing videotapes but ultimately sending Tribune , the company that later held the rights to Xena , a mix videotape of martial ...
Raimi and Tapert were also avid consumers of Hong Kong texts and participated in fan practices , not only sharing videotapes but ultimately sending Tribune , the company that later held the rights to Xena , a mix videotape of martial ...
Seite 383
2 Bliss Lim refers to Hong Kong Cinema as projecting a “ national cinema effect , ” explaining that [ t ] he national cinema model typically works on a contrastive principle of difference from Hollywood , but in the case of Hong Kong ...
2 Bliss Lim refers to Hong Kong Cinema as projecting a “ national cinema effect , ” explaining that [ t ] he national cinema model typically works on a contrastive principle of difference from Hollywood , but in the case of Hong Kong ...
Seite 387
This meant that although the studios made fewer pictures , the films that they did make had higher production values , making it harder for Hong Kong and other national cinemas to compete ( Movie - Made America : A Cultural History of ...
This meant that although the studios made fewer pictures , the films that they did make had higher production values , making it harder for Hong Kong and other national cinemas to compete ( Movie - Made America : A Cultural History of ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action American argues arts Asian audiences beauty become Bell body Buddhist Burma Burmese called cinema communicative context critical cultural death desire discourses Duke University early economic effects embodiment English especially essay female feminine feminist Festival figure Filipino film Friends function gender genre ghost global Harisu High Hong Kong identity industry issue Korean language late Legend linguistic lives male marks martial meaning medium mestiza movie Nak's Nang Nak narrative nat kadaws Nora Nora Aunor Noranian notes offers performers person Philippine Places play political popular practices Press production queer quotation refers role scene screen sequences sexual Sharon social South South Korea speaking spectacle spirit star stardom story structure Studies stunt Taungbyon television term Thai tion transgendered translation Trinh University Press Vietnamese visual Western woman women writes wuxia Xena young