The Rhetoric of Criticism: From Hobbes to ColeridgePergamon Press, 1984 - 127 Seiten |
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Seite 10
... poet himself , or is borrowed from others . Hobbes clearly prefers the first , because , presumably , it shows the poet's invention and originality , whereas the second is mere imitation . When a poet uses his own manner of expression ...
... poet himself , or is borrowed from others . Hobbes clearly prefers the first , because , presumably , it shows the poet's invention and originality , whereas the second is mere imitation . When a poet uses his own manner of expression ...
Seite 35
... poet's need to show " forcibleness or energia ( as the Greeks call it ) " 11 in his writing , i.e. that pictorial vividness which will enable the reader to imagine clearly the persons , actions , passions or objects presented in the ...
... poet's need to show " forcibleness or energia ( as the Greeks call it ) " 11 in his writing , i.e. that pictorial vividness which will enable the reader to imagine clearly the persons , actions , passions or objects presented in the ...
Seite 99
... poet's own feelings , from those of which he is at once the painter and the analyst .... " But what is even more interesting than this theoretical formulation of the poet's relation to his work is Coleridge's practical analysis of the ...
... poet's own feelings , from those of which he is at once the painter and the analyst .... " But what is even more interesting than this theoretical formulation of the poet's relation to his work is Coleridge's practical analysis of the ...
Inhalt
Hobbess Rhetorical Criticism | 3 |
The Rhetorical Approach in Dryden | 31 |
Humes Of the Standard of Taste | 51 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic analysis Answer to Davenant Aristotle beauty Biographia called characters Coleridge Coleridge's composition concepts Consequences critical essays David Hume definition diction drama Dryden English criticism epic poem epic poetry expression fact fancy and imagination feeling Gilbert Ryle Gondibert hero heroic poem Hobbes's human nature Hume Hume's images imitation of nature important interest invention James Joyce John Dryden Johnson judgement kind language of poetry linguistic literary criticism literature logic meaning metaphors Milton mind modern commentators moral neoclassical objects observation organic unity painting passage passions philosopher play poet's poetic creation poetic language Preface to Homer principles qualities Quintilian reader refer regarded rhetoric Romantic says sense sentiment Shakespeare speech Standard of Taste style synonymy T. S. Eliot theory things Thomas Hobbes Thorpe thought tragicomedy translation true truth unity of action untranslatability Venus and Adonis virtue whole words Wordsworth's