Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 20Indiana University Press, 1998 |
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Seite 53
... Present ( Ceci n'est pas du présent ) Cahiers : In your book there is an apparently “ scandalous " thesis , which is ... present . You assert , however , that the cinematographic image is not in the present . Gilles Deleuze : It is ...
... Present ( Ceci n'est pas du présent ) Cahiers : In your book there is an apparently “ scandalous " thesis , which is ... present . You assert , however , that the cinematographic image is not in the present . Gilles Deleuze : It is ...
Seite 158
... present in which the witnessing or vision of the event took place and its enunciation , a difference which marks the opening , in the present , of another time at the crossroads of the visible and the invisible , the statement and its ...
... present in which the witnessing or vision of the event took place and its enunciation , a difference which marks the opening , in the present , of another time at the crossroads of the visible and the invisible , the statement and its ...
Seite 160
... present is torn apart is equally the hour at which the past touches the extremity of the future , without allowing itself to be absorbed by anything actual . In this sense , the event is not something which takes place before a subject ...
... present is torn apart is equally the hour at which the past touches the extremity of the future , without allowing itself to be absorbed by anything actual . In this sense , the event is not something which takes place before a subject ...
Inhalt
Etel Adnan | 4 |
Bob Kaufman | 28 |
Eileen Kaufman | 67 |
Urheberrecht | |
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Abomunists African Allen Ginsberg AMERICAN SUN Ancient Rain Anne Waldman artists Beat become Bergson Bergsonian Blaser Bob Kaufman body Brion Gysin Burroughs called Césaire Chick Strand cinema collaboration Color concept Copyright creative culture death defined Deleuze's Deleuzian Detroit Diane di Prima differential Discourse dream event everything expression fact feel film fold Foley Foucault Gilles Deleuze going Guattari Gysin Holy idea identity individual notion Jack jazz Joanne Kyger Kerouac Langston Hughes language Leibniz Leimbacher living means modern monad movement Movement-Image never non-pulsed Palestinians philosophy poem poet poetic poetry point of view political proposition pulsed racism reading reality relation San Francisco sell Paris sense society of control space Strand Surrealism Surrealist talk Ted Joans theory things thought Time-Image Trans transformation University Press voice Wayne State University woman women words writing York