Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 20Indiana University Press, 1998 |
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Seite 146
... body . Strand : Well it is in a way . I really hate the tripod , I'll use it , but hardly ever . I'll use it if I'm doing a long shot or for instance in Soft Fiction I used it a lot . I used it mainly because I needed both hands free to ...
... body . Strand : Well it is in a way . I really hate the tripod , I'll use it , but hardly ever . I'll use it if I'm doing a long shot or for instance in Soft Fiction I used it a lot . I used it mainly because I needed both hands free to ...
Seite 169
... body to do it , but it's a natural voice when you're settled down and rested in your body . So I think probably what I was hallu- cinating was some latent experience of my own body and my own voice . My own nervous system , so to speak ...
... body to do it , but it's a natural voice when you're settled down and rested in your body . So I think probably what I was hallu- cinating was some latent experience of my own body and my own voice . My own nervous system , so to speak ...
Seite 113
... body was born in Plato's cave , or rather it was conceived and shaped in the form of the cave : as a prison or tomb for the soul , and the body first was thought from the inside , as buried darkness into which light only penetrates in ...
... body was born in Plato's cave , or rather it was conceived and shaped in the form of the cave : as a prison or tomb for the soul , and the body first was thought from the inside , as buried darkness into which light only penetrates in ...
Inhalt
Etel Adnan | 4 |
Bob Kaufman | 28 |
Eileen Kaufman | 67 |
Urheberrecht | |
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