Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 117
... figure of Christ lies , I said , in certain descriptions of his actions . I specify now only some parallels that come out of Revelation . In that book the central figure is a lamb ( and there is also a dragon ) , and a figure who sits ...
... figure of Christ lies , I said , in certain descriptions of his actions . I specify now only some parallels that come out of Revelation . In that book the central figure is a lamb ( and there is also a dragon ) , and a figure who sits ...
Seite 148
... figure that appears throughout Shakespeare's plays and is central to his art - that of the boy actor , the vehicle of an extraordinary range of verbal ingenuity and at the same time a figure of ambiguous sexual identity . Generally ...
... figure that appears throughout Shakespeare's plays and is central to his art - that of the boy actor , the vehicle of an extraordinary range of verbal ingenuity and at the same time a figure of ambiguous sexual identity . Generally ...
Seite 149
... figure to survive . While Gertrude , Desdemona , Emilia , Goneril , Regan , Cordelia , and even Lady Macbeth all die within moments of the hero , Volumnia does not . Even Juliet and Cleopatra choose to join their lovers in death . If ...
... figure to survive . While Gertrude , Desdemona , Emilia , Goneril , Regan , Cordelia , and even Lady Macbeth all die within moments of the hero , Volumnia does not . Even Juliet and Cleopatra choose to join their lovers in death . If ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words