Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 64
Seite 119
... accept the words as food , and you accept the central figure as invoking the central figure of the Eucharist , then you may accept a formulation to the effect ( not that the play is the ritual of the Eucha- rist , but to the effect ) ...
... accept the words as food , and you accept the central figure as invoking the central figure of the Eucharist , then you may accept a formulation to the effect ( not that the play is the ritual of the Eucha- rist , but to the effect ) ...
Seite 121
... accept the words as food , and you accept the central figure as invoking the central figure of the Eucharist , then you may accept a formulation to the effect ( not that the play is the ritual of the Eucha- rist , but to the effect ) ...
... accept the words as food , and you accept the central figure as invoking the central figure of the Eucharist , then you may accept a formulation to the effect ( not that the play is the ritual of the Eucha- rist , but to the effect ) ...
Seite 128
... accept " Co- riolanus " would be to recognize the public , " castrated " man , at the expense of denying the private , imaginary , self - sufficient manhood . To accept the name is to " give itself the lie " ( II.ii , 33 ) and to drive ...
... accept " Co- riolanus " would be to recognize the public , " castrated " man , at the expense of denying the private , imaginary , self - sufficient manhood . To accept the name is to " give itself the lie " ( II.ii , 33 ) and to drive ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words