The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 123
... tion of the Oedipus story is , ultimately , conservative . He attempts to balance the rational and humanist potential of Oedipus's character against the inexorability of fate , and of the divine order ; and in the second play he ...
... tion of the Oedipus story is , ultimately , conservative . He attempts to balance the rational and humanist potential of Oedipus's character against the inexorability of fate , and of the divine order ; and in the second play he ...
Seite 180
... tion . This use of language , as well as of the actual songs and dances of the struggle for independence is manifest in the Black Mamba Plays . Kasoma tends to make his plays very directly . Each scene must make a point in the overall ...
... tion . This use of language , as well as of the actual songs and dances of the struggle for independence is manifest in the Black Mamba Plays . Kasoma tends to make his plays very directly . Each scene must make a point in the overall ...
Seite 293
... tion of equilibrium in the society . However , in order to achieve this ' oneness ' the protagonist has to be a very specific sort of person : he is the one who acts ; who is able to exercise his will ; the creative artist ; someone who ...
... tion of equilibrium in the society . However , in order to achieve this ' oneness ' the protagonist has to be a very specific sort of person : he is the one who acts ; who is able to exercise his will ; the creative artist ; someone who ...
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |