The development of African drama |
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Seite 44
Furthermore, the ability of Ogunde's theatre company to travel all round Nigeria,
and even beyond its boundaries, meant a wider circulation of these issues -
which certainly made him a thorn in the flesh of the colonial authorities. This led
to his ...
Furthermore, the ability of Ogunde's theatre company to travel all round Nigeria,
and even beyond its boundaries, meant a wider circulation of these issues -
which certainly made him a thorn in the flesh of the colonial authorities. This led
to his ...
Seite 47
However, Bobby Benson didn't really develop a touring theatre company; he didn
't share Ogunde's enthusiasm of the earlier years for cultural nationalism; and
eventually he turned completely to night club entertainment and to developing ...
However, Bobby Benson didn't really develop a touring theatre company; he didn
't share Ogunde's enthusiasm of the earlier years for cultural nationalism; and
eventually he turned completely to night club entertainment and to developing ...
Seite 50
He won a Yoruba theatre contest on Ibadan television to find the best company;
and the first prize was to be a sponsored tour abroad to Europe. However,
although the referees agreed that in the Yoruba milieu in Nigeria, he was
undoubtedly ...
He won a Yoruba theatre contest on Ibadan television to find the best company;
and the first prize was to be a sponsored tour abroad to Europe. However,
although the referees agreed that in the Yoruba milieu in Nigeria, he was
undoubtedly ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |