The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 151
... scene is all Rotimi's own . In fact , the playwright goes even further in developing the emotional impact of the scene . The din in Ovonramwen's head is set against the harmonious chant of the Benin warriors ( sung in the original ...
... scene is all Rotimi's own . In fact , the playwright goes even further in developing the emotional impact of the scene . The din in Ovonramwen's head is set against the harmonious chant of the Benin warriors ( sung in the original ...
Seite 186
... scene in Black Mamba Two when we see him , he is established as one ' chosen ' by the ancestors . It is Chipayeni ... scene shifts to the court where the action brought against ANC declaring the strike illegal is thrown out . There is ...
... scene in Black Mamba Two when we see him , he is established as one ' chosen ' by the ancestors . It is Chipayeni ... scene shifts to the court where the action brought against ANC declaring the strike illegal is thrown out . There is ...
Seite 212
... scene . The next scene , the penultimate scene , is in Avegbe Tonu . This scene and the final scene of the play are actually a ' tailing - off ' from the climax . This sort of ending is sometimes called an anti - climax ; though this ...
... scene . The next scene , the penultimate scene , is in Avegbe Tonu . This scene and the final scene of the play are actually a ' tailing - off ' from the climax . This sort of ending is sometimes called an anti - climax ; though this ...
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |