The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 74
... ritual , a turning of ' ritual into life ' as Echeruo suggests . As if to underline the point , it is followed by an old woman symbolically sweeping out the ' evil ' from the theatre or outdoor acting space . She is interrupted and sent ...
... ritual , a turning of ' ritual into life ' as Echeruo suggests . As if to underline the point , it is followed by an old woman symbolically sweeping out the ' evil ' from the theatre or outdoor acting space . She is interrupted and sent ...
Seite 75
... ritual enactment itself , nor in a performance of that ritual enactment within the relevant community . Thus , to achieve something that looks natural on the stage , and just like real life , Clark uses a greater degree of artificiality ...
... ritual enactment itself , nor in a performance of that ritual enactment within the relevant community . Thus , to achieve something that looks natural on the stage , and just like real life , Clark uses a greater degree of artificiality ...
Seite 244
... ritual ' - which is the word Soyinka uses for the drama in performance - because they are an integral part of the space in which the performance of the conflict takes place ; and he refers to the audience as a ' chorus ' who give the ...
... ritual ' - which is the word Soyinka uses for the drama in performance - because they are an integral part of the space in which the performance of the conflict takes place ; and he refers to the audience as a ' chorus ' who give the ...
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |