The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 105
... moral ethic differed from Catholic morality in that the Protestants believed that man could communi- cate directly with God , and no longer had to rely on the priesthood through which to approach their creator . A man could therefore ...
... moral ethic differed from Catholic morality in that the Protestants believed that man could communi- cate directly with God , and no longer had to rely on the priesthood through which to approach their creator . A man could therefore ...
Seite 125
... moral claims . This meant that a person had to determine , finally , his own moral responsibil- ity . Thus , the Greek view of fate could be expressed in another way , namely , as the burden of an established moral position ( such as ...
... moral claims . This meant that a person had to determine , finally , his own moral responsibil- ity . Thus , the Greek view of fate could be expressed in another way , namely , as the burden of an established moral position ( such as ...
Seite 202
... moral breakdown supports in the end , paradoxically , the conventional moral view : Sofola's Wedlock of the Gods , Sutherland's Edufa , Musinga's The Tragedy of Mr No - Balance all end in a way which seems to contradict the development ...
... moral breakdown supports in the end , paradoxically , the conventional moral view : Sofola's Wedlock of the Gods , Sutherland's Edufa , Musinga's The Tragedy of Mr No - Balance all end in a way which seems to contradict the development ...
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |