The development of African drama |
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Seite 72
At this point, the teller of the tale draws his audience further into the world of the
story by the device known as dramatic irony. This is where the playwright places
the audience in a situation in which they are in possession of certain facts which
...
At this point, the teller of the tale draws his audience further into the world of the
story by the device known as dramatic irony. This is where the playwright places
the audience in a situation in which they are in possession of certain facts which
...
Seite 118
The play's special impact derives, however, from its structure as much as from its
theme: as a play it demonstrates the potential of irony in drama to convey a
deeper meaning, and of the separate but related theatrical device of dramatic
irony to ...
The play's special impact derives, however, from its structure as much as from its
theme: as a play it demonstrates the potential of irony in drama to convey a
deeper meaning, and of the separate but related theatrical device of dramatic
irony to ...
Seite 119
The dramatic irony stems from the fact that the audience are aware of Oedipus's
real identity. Thus, when, for example, he curses the murderer of Laius and
pronounces the sentence of excommunication, the audience are acutely aware
that he ...
The dramatic irony stems from the fact that the audience are aware of Oedipus's
real identity. Thus, when, for example, he curses the murderer of Laius and
pronounces the sentence of excommunication, the audience are acutely aware
that he ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |