The development of African drama |
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Seite 27
This is not a contrived radical position, or in any sense rhetorical, on the part of
such intellectuals. For someone like Ngugi wa Thiong'o, or in the urban context
Amadu Maddy, it is a stage in an inevitable process which begins the moment
one ...
This is not a contrived radical position, or in any sense rhetorical, on the part of
such intellectuals. For someone like Ngugi wa Thiong'o, or in the urban context
Amadu Maddy, it is a stage in an inevitable process which begins the moment
one ...
Seite 65
In the same way as the Europeans felt a sense of cultural inferiority when
confronted with both a classical literature and a classical criticism with which to
evaluate it, so also did African intellectuals accept initially the cultural
implications of a ...
In the same way as the Europeans felt a sense of cultural inferiority when
confronted with both a classical literature and a classical criticism with which to
evaluate it, so also did African intellectuals accept initially the cultural
implications of a ...
Seite 318
This theatre, and even its 'revolutionary' drama, remains inaccessible to the mass
of people. The socially committed theatre contributes to the process of social
change only insofar as the intellectuals themselves acquire political
consciousness ...
This theatre, and even its 'revolutionary' drama, remains inaccessible to the mass
of people. The socially committed theatre contributes to the process of social
change only insofar as the intellectuals themselves acquire political
consciousness ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |
Bibliografische Informationen
| Titel | The development of African drama Band 79 von Hutchinson university library Hutchinson university library for Africa |
| Autor | Michael Etherton |
| Ausgabe | illustriert |
| Verlag | Hutchinson, 1982 |
| Original von | University of Michigan |
| Digitalisiert | 3. März 2008 |
| ISBN | 009146420X, 9780091464202 |
| Länge | 368 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |