The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 246
... gone beyond the ' ends justifying the means ' ; control has become an end in itself and justifies the ' meanness ' . This to the war leaders is plainly subversive ; and it is the last straw when he leads them into breaking the taboo on ...
... gone beyond the ' ends justifying the means ' ; control has become an end in itself and justifies the ' meanness ' . This to the war leaders is plainly subversive ; and it is the last straw when he leads them into breaking the taboo on ...
Seite 247
... me . . . .7 At the end of the play Bero does kill him , though again he is tricked into the breaking of this taboo by the Old Man : he appears to Bero to have gone mad and to be about The art theatre : Soyinka's protest plays 247.
... me . . . .7 At the end of the play Bero does kill him , though again he is tricked into the breaking of this taboo by the Old Man : he appears to Bero to have gone mad and to be about The art theatre : Soyinka's protest plays 247.
Seite 352
... gone the Inspector described his disappoint- ment to the corporal : ' Worthless ! These people are worthless ! They think they can just run into my office here and unreel their problems ! Well , I thought he was going to extend his hand ...
... gone the Inspector described his disappoint- ment to the corporal : ' Worthless ! These people are worthless ! They think they can just run into my office here and unreel their problems ! Well , I thought he was going to extend his hand ...
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |