The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
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Seite 32
... final performance . We have become accustomed to the separation of ' art ' from its means of production , which is a significant feature of the culture of advanced technological societies . In particular , in most bourgeois forms of ...
... final performance . We have become accustomed to the separation of ' art ' from its means of production , which is a significant feature of the culture of advanced technological societies . In particular , in most bourgeois forms of ...
Seite 41
... final artistic product ; and ignores the means of production . This research modifies or reinforces Aristotelian ' rules ' for drama ; b some sociologists and social anthropologists use a measur- able definition of culture , in their ...
... final artistic product ; and ignores the means of production . This research modifies or reinforces Aristotelian ' rules ' for drama ; b some sociologists and social anthropologists use a measur- able definition of culture , in their ...
Seite 280
... final parody of the play . Anikura steps forward - steps out of the play , in fact – and gives a concluding speech in which , perhaps with the voice of the playwright , he warns against the easy solutions , like the Emperor's courier ...
... final parody of the play . Anikura steps forward - steps out of the play , in fact – and gives a concluding speech in which , perhaps with the voice of the playwright , he warns against the easy solutions , like the Emperor's courier ...
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |