The development of African drama |
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Seite 32
an achievement and it is appropriate that it should be celebrated within the
context of the final performance. We have become accustomed to the separation
of 'art' from its means of production, which is a significant feature of the culture of
...
an achievement and it is appropriate that it should be celebrated within the
context of the final performance. We have become accustomed to the separation
of 'art' from its means of production, which is a significant feature of the culture of
...
Seite 41
... traditional performances, but often there are limitations manifest in the various
methodologies: a a great deal of research by theatre specialists concentrates
almost exclusively on the final artistic product; and ignores the means of
production.
... traditional performances, but often there are limitations manifest in the various
methodologies: a a great deal of research by theatre specialists concentrates
almost exclusively on the final artistic product; and ignores the means of
production.
Seite 280
Then Bokasa's courier arrives, granting an amnesty not to political detainees but
to criminals - the final parody of the play. Anikura steps forward - steps out of the
play, in fact - and gives a concluding speech in which, perhaps with the voice of ...
Then Bokasa's courier arrives, granting an amnesty not to political detainees but
to criminals - the final parody of the play. Anikura steps forward - steps out of the
play, in fact - and gives a concluding speech in which, perhaps with the voice of ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |
Bibliografische Informationen
| Titel | The development of African drama Band 79 von Hutchinson university library Hutchinson university library for Africa |
| Autor | Michael Etherton |
| Ausgabe | illustriert |
| Verlag | Hutchinson, 1982 |
| Original von | University of Michigan |
| Digitalisiert | 3. März 2008 |
| ISBN | 009146420X, 9780091464202 |
| Länge | 368 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |