The development of African drama |
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Seite 242
It is surprising because many intellectuals have been critical of the imbalance in
the social structure and of the direction in which the country is moving; and
Nigeria has been a relatively open society, allowing many forms of cultural ...
It is surprising because many intellectuals have been critical of the imbalance in
the social structure and of the direction in which the country is moving; and
Nigeria has been a relatively open society, allowing many forms of cultural ...
Seite 282
Some of the most interesting critical commentary appears as articles and papers
and Gibbs has recently collected some of these into an anthology: James Gibbs (
ed.), Critical Perspectives on Wole Soyinka (Washington: Three Continents ...
Some of the most interesting critical commentary appears as articles and papers
and Gibbs has recently collected some of these into an anthology: James Gibbs (
ed.), Critical Perspectives on Wole Soyinka (Washington: Three Continents ...
Seite 285
7 The art theatre: political plays Mokai Ajibade; The Chattering and the Song
Osofisan Two Nigerians who are influenced by Wole Soyinka and, in their
separate ways, critical of Nigeria are Yemi Ajibade and Femi Osofisan. Ajibade is
, perhaps ...
7 The art theatre: political plays Mokai Ajibade; The Chattering and the Song
Osofisan Two Nigerians who are influenced by Wole Soyinka and, in their
separate ways, critical of Nigeria are Yemi Ajibade and Femi Osofisan. Ajibade is
, perhaps ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |